Margaret Qualley The Substance (2024)

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In Coralie Fargeat's brand-new feminist scary movie The Substance, dangerous societal elegance criteria are the actual monsters. They (women objectification, the disposal of "the aged," the proliferation of a field built on physical body adjustment) nourish a beast of a pattern that leads Demi Moore's fading television individuality character Elisabeth Dazzle to seek a black market therapy phoned The Substance that guarantees to produce her more attractive. And in doing this, she undertakes a creature-feature-like transformation herself.

The Substance is actually a repulsive process-- one including syringes, liquids, and Elisabeth's spinal column opening to childbirth a younger double participated in through Margaret Qualley. Elisabeth and her equivalent, called Sue, can not be aware simultaneously, so they each live for a week just before switching locations, along with Sue taking away fluid coming from a gaping opening in Elisbeth's back to experience herself. When Sue abuses The (blog post) Substance, Elisabeth begins to age-- starting along with one nightmarish, tacky finger before spreading out right into ancient, virtually worthless branches; and when Elisabeth fights back by binge-eating, Take legal action against breakdowns a great deal to ensure she can pull chicken wings out of her navel.

In doing so, the film indicate the fastidiously awful durations some are going to go to be revered as perfect. It's performed to a spine-tingling, life-like degree that makes for a body horror film for the ages.